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Innovation in Information Technology
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Versification and Authorship Attribution
A clever investigation into two unsolved mysteries of poetic authorship. The technique known as contemporary stylometry uses different methods, including machine learning, to discover a poem’s author based on features like the frequencies of words and character n-grams.However, there is one potential textual fingerprint stylometry tends to ignore: versification, or the very making of language into verse.Using poetic texts in three different languages (Czech, German, and Spanish), Petr Plechác asks whether versification features like rhythm patterns and types of rhyme can help determine authorship.He then tests his findings on two unsolved literary mysteries.In the first, Plechác distinguishes the parts of the Elizabethan verse play The Two Noble Kinsmen written by William Shakespeare from those written by his coauthor, John Fletcher.In the second, he seeks to solve a case of suspected forgery: how authentic was a group of poems first published as the work of the nineteenth-century Russian author Gavriil Stepanovich Batenkov?This book of poetic investigation should appeal to literary sleuths the world over.
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Crip Authorship : Disability as Method
2024 Daniel E. Griffiths Research Award WinnerAn expansive volume presenting crip approaches to writing, research, and publishing. Crip Authorship: Disability as Method is an expansive volume presenting the multidisciplinary methods brought into being by disability studies and activism.Mara Mills and Rebecca Sanchez have convened leading scholars, artists, and activists to explore the ways disability shapes authorship, transforming cultural production, aesthetics, and media. Starting from the premise that disability is plural and authorship spans composition, affect, and publishing, this collection of thirty-five compact essays asks how knowledge about disability is produced and shared in disability studies.Disability alters, generates, and dismantles method.Crip authorship takes place within and beyond the commodity version of authorship, in books, on social media, and in creative works that will never be published. The chapters draw on the expertise of international researchers and activists in the humanities, social sciences, education, arts, and design.Across five sections—Writing, Research, Genre/Form, Publishing, Media—contributors consider disability as method for creative work: practices of writing and other forms of composition; research methods and collaboration; crip aesthetics; media formats and hacks; and the capital, access, legal standing, and care networks required to publish.Designed to be accessible and engaging for students, Crip Authorship also provides theoretically sophisticated arguments in a condensed form that will make the text a key resource for disability studies scholars. Essays include Mel Y Chen on the temporality of writing with chronic illness; Remi Yergeau on perseveration; La Marr Jurelle Bruce on mad Black writing; Alison Kafer on the reliance of the manifesto genre on disability; Jaipreet Virdi on public scholarship for disability justice; Ellen Samuels on the importance of disability and illness to autotheory; Xuan Thuy Nguyen on decolonial research methods for disability studies; Emily Lim Rogers on virtual ethnography; Cameron Awkward-Rich on depression and trans reading methods; Robert McRuer on crip theory in translation; Kelsie Acton on plain language writing; and Georgina Kleege on description as an access and aesthetic technique.
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The Screenplay : Authorship, Theory and Criticism
After decades of neglect, the screenplay is finally being recognized as a form that deserves serious critical analysis.This book for the first time combines detailed study of the theory and practice of screenwriting with new approaches to criticism and original studies of individual texts.
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What are the arguments against Shakespeare's authorship?
Some of the arguments against Shakespeare's authorship include the lack of formal education and aristocratic background of the man from Stratford-upon-Avon who is traditionally believed to be the author. Additionally, some scholars argue that the complexity and depth of the works attributed to Shakespeare are beyond the capabilities of someone with his background. There are also theories that suggest other individuals, such as Christopher Marlowe or Edward de Vere, may have been the true authors of the works attributed to Shakespeare. Finally, the lack of definitive evidence linking the man from Stratford to the works has led to ongoing debate and skepticism about his authorship.
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Which movies deal with the theme of book writing and authorship?
Some movies that deal with the theme of book writing and authorship include "Adaptation" (2002), which follows a screenwriter struggling to adapt a book into a screenplay, "Misery" (1990), which tells the story of an author held captive by his number one fan, and "The Ghost Writer" (2010), a political thriller about a ghostwriter hired to complete the memoirs of a former British prime minister. These movies explore the challenges and complexities of the writing process, the relationship between authors and their work, and the impact of literature on the lives of both writers and readers.
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Is a music composition uploaded on YouTube a proof of authorship?
Uploading a music composition on YouTube can serve as evidence of authorship, as it provides a public record of the creation and ownership of the work. However, it may not be sufficient on its own to establish legal proof of authorship. It is important to also consider other forms of documentation, such as copyright registration, to fully protect the rights of the creator. Additionally, it is advisable to include clear copyright notices and information about the author in the video description or accompanying materials to further establish authorship.
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What is a specialist in application development for information technology?
A specialist in application development for information technology is a professional who specializes in designing, creating, and maintaining software applications that meet the specific needs of an organization. They have expertise in programming languages, software development methodologies, and database management. These specialists work closely with clients and stakeholders to understand their requirements and develop customized solutions to improve efficiency, productivity, and overall business operations. They are responsible for ensuring that the applications are user-friendly, secure, and scalable to meet the evolving needs of the organization.
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Harriet Martineau : Authorship, Society and Empire
Harriet Martineau responds to the strong revival of interest in her life and writing, exploring Martineau’s controversial views through her innovative use of popular cultural forms—journalism, travel writing, didactic fiction, novels, translation, autobiography and history. This is the first collection of essays to revisit and reassess Martineau’s leading place in Victorian culture and in the development of nineteenth-century liberalism.Distinguished contributors—including Isobel Armstrong, Lauren Goodlad, Catherine Hall, Deborah Logan and Linda Peterson—offer critical analyses of her trailblazing career as a professional ‘woman of letters’. The essays collected here move from personal to global concerns in Martineau’s oeuvre.The opening essays centre on her bold self-fashioning as a writer, while the second section focuses on the domestic complexities of laissez-faire liberalism in her economic and social vision.Finally, the volume analyses her provocative writings on race, Empire and history – from Atlantic slavery to the Indian Mutiny – demonstrating the international breadth and impact of a remarkable career. -- .
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Performing Copyright : Law, Theatre and Authorship
Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work?Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright?Furthermore, who possesses moral rights over the work?To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work.The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research.The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research.The fourth part examines the way moral rights of attribution and integrity work in the context of theatre.The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law.Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice.
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Making Television : Authorship and the Production Process
Part of Praeger's Media and Society Series, this contributed volume is the only collection of essays on television authorship.It includes work of some of the most prominent scholars in television studies.Rather than assigning one author to individual television texts, the contributors probe the relationship between the various authors at work within the institutional, cultural, and economic settings that characterize the television industry.This book analyzes and defines the unique methods of television authorship and suggests numerous candidates for authorial accountability allowing the medium to enter the realm of contemporary criticism. The first part of the volume provides a case study in four chapters on authorship issues surrounding Frank's Place, the short lived but compelling situation comedy.This is followed by three chapters focusing on issues of authorship in international television.The book then probes the studio's role as author, including essays on Warner Brothers, Desilu, and Screen Gems.Finally the contributors examine individual TV authors and cover such topics as point of view in music video, television production as collective action, and unconventional television.
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Critical ICT4D (Information and Communication Technologies for Development)
The edited volume Critical ICT4D highlights the need for a paradigm change in theorising, designing, and researching Information and Communication Technologies for Development (ICT4D).Engaging authors from the Majority World and entering a process of restoring epistemic justice in knowledge production and ownership, the text:Reflects on the histories and narratives around development programmes, their deep-rooted socio-political background, and the power relations integrated into or induced by such measuresProblematises the current scholarship and practices through decolonial and pluralistic approaches built with an explicit perspective of resisting epistemic violenceConstructs justice-enacting engagements of technologies with society. Offering thematic discussions in many development sectors with up-to-date case studies informed by recent research in the field, it sheds light on constructive contributions of critical ICT4D research.Written in accessible language, the book will appeal to postgraduate students, fellow researchers, policymakers in the fields of sociology, development studies, STS, critical data studies, surveillance studies, international relations, public administration, and information systems. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 license.
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What is a specialist in information technology in application development?
A specialist in information technology in application development is a professional who focuses on creating and maintaining software applications. They have expertise in programming languages, software development methodologies, and application design. Their role involves analyzing user needs, designing application solutions, writing code, testing and debugging applications, and ensuring that they meet the required specifications and standards. These specialists often work closely with other IT professionals and stakeholders to deliver high-quality, user-friendly applications.
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Why is information and communication technology referred to as useful energy?
Information and communication technology is referred to as useful energy because it enables the efficient transmission and processing of information, leading to increased productivity and effectiveness in various tasks. Just like energy is essential for powering machines and devices, ICT provides the necessary tools and resources for communication, data storage, and problem-solving. It plays a crucial role in powering modern economies and societies by facilitating connectivity, innovation, and collaboration.
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What does an electronics technician specializing in information and communication technology earn?
An electronics technician specializing in information and communication technology can earn an average salary of around $60,000 to $80,000 per year, depending on factors such as experience, location, and employer. With additional certifications or advanced degrees, they may be able to command higher salaries. Overall, this field offers competitive wages and opportunities for career growth as technology continues to advance.
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How much does an electronics technician for information and communication technology earn?
The salary of an electronics technician for information and communication technology can vary depending on factors such as experience, location, and employer. On average, in the United States, an electronics technician in this field can earn between $40,000 to $70,000 per year. However, with more experience and specialized skills, technicians can earn higher salaries, potentially exceeding $80,000 annually. It's important to research specific companies and regions to get a more accurate idea of salary expectations.
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